Florsheim, Richard A., 1916-1979

Primarily correspondence (1927-1979). Also, artwork reproductions; manuscript and printed articles, book reviews, and essays; lecture notes and manuscripts; photographs and memorabilia, including clippings (1951-1979), exhibition catalogs and invitations from the 1940s through the 1980s; and financial material relating to artwork prices and studio construction. Correspondence of greatest depth and duration with Rose H. Alschuler, the Artists Equity Association, Artists League of the Midwest, Illinois Arts Council, Norman MacLeish, José Pijoán, Peter Pollack, Daniel Catton Rich, Rose Valland, and Hudson Walker. Other correspondents include Edgar Britton, Clayton Charles, Leon Kroll, Martyl, Arthur Rissman, and Ladislas Segy.

Harbart, Gertrude.

Correspondence, exhibition flyers, clippings of the American painter.

Hines, Bob.

Original artwork by American wildlife artist Bob Hines.

Baker, Robert Peter (1886-1940)

Biographical material, photographs, drawings, published material by or about the American sculptor and artist

Little, Eleanor.

Correspondence, drawings, printed material, and writings of or relating to the American painter.

Schneider, Sophie.

Four etchings, signed and inscribed by the artist

Abrams, Norman Hackman.

Artwork, game and game design materials, motion picture.

Browning, Colleen.

Irish American painter. Collection contains photographs of her work, published articles and clippings.

unknown

Five limited-edition artists' books, published by Ediciones Vigía. Printed on brown wrapping paper, printed white paper overlays, bound with string ties. Six brochures for various Cuban artists from Banco de Ideas Z., printed on brown paper.

Lehmann, Liza, 1862-1918.

Sketches by the English soprano and composer

Pittman, Hobson Lafayette, 1899 or 1900-1972.

Printed material, manuscripts of the American still life and landscape painter.

Sutherland, Graham Vivian, 1903-1980.

British printmaker and surrealist painter. Collection consists of manuscripts and printed material.

Carewe, Sylvia, 1914-

Papers of the American painter, poet. Correspondence, exhibition catalogs and invitations, prints, negatives, slides, and transparencies, poems, sketches, stories, a scrapbook containing memorabilia, and published material, including articles, clippings, and reviews.

Datz, A. Mark (Abraham Mark), 1889-1969

Correspondence (1926-1965), limited to a very few letters; exhibition catalogs and announcements for one-man and group shows (1926-1963); 12 journals (1943-1969); photographs and negatives of Datz's work; 80 etchings on 77 copper plates; and clippings (1916-1941).

Fenton, Beatrice, 1887-1983

Correspondence, photographs of work, clippings, exhibition catalogs, and other published work.

Flagg, James Montgomery, 1877-1960.

One drawing by the American artist and illustrator.

Gelb, Jan, 1906-

Correspondence (1939-1970); exhibition catalogs (1933-1970); articles, clippings, and reviews; and photographs of Gelb’s work. Correspondents include Minna Citron, Mary Spencer Nay, and Lois Bartlett Tracy.

Jones, Jeff, 1944-2011.

Original ink illustrations for the book The Catskill Witch by James McMurry.

Konzal, Joseph, 1905-1994.

American sculptor. Collection contains correspondence, printed material, photographs of Konzal's work, and three small paintings by the American Sculptor.

Stoddard, Charles Warren, 1843-1909.

Collection of correspondence addressed to the American author, novelist, poet. Incoming letters from archbishop of St. Louis Peter Richard Kenrick, landscape and figure painter John La Farge, and American artist F.D. Millet. The bulk of the letters (1875-1900) is from Millet, many originating from the various American and European cities in which he worked as a painter and interior designer. A friend of Henry Adams, Henry James, Mark Twain, and a number of minor figures, Millet, in a series of 36 multi-paged letters which are of a highly personal nature, illuminates the contemporary American artistic and literary scene. The letters also contain many references to both Stoddard’s and Millet’s work.