Grand Central Moderns.

The Grand Central Moderns, under the direction of Colette Roberts, was a "non-profit organization dealing in Modern American Art," a branch of the "long-established institution known as Grand Central Art Galleries." Original material pertaining to group and solo exhibitions held at Grand Central Moderns as well as an assortment of personal papers of Colette Roberts. Gallery material consists of clippings, correspondence, exhibition catalogs, photographs, and press releases relating to seventy-nine artists represented by the Gallery as well as several group exhibitions. The Colette Roberts material contains correspondence, photographs, miscellaneous printed material, writings, and memorabilia.

Center for the Study of Liberal Education for Adults

Established by a grant from the Fund for Adult Education in 1951, the Center for the Study of Liberal Education for Adults (CSLEA) worked with universities seeking to initiate or to improve adult education programs. Its purpose was to help American higher education develop greater effectiveness and a deeper sense of responsibility for the liberal education of adults. During its tenure the Center had three directors; John S. Diekhoff (1952-1953), John B. Schwertman (1953-1956), and A.A. Liveright (1956-1968). The records include correspondence, organizational files, publication files, writings, and miscellany. Key correspondents, mostly from the Center, are James T. Carey, Alexander N. Charters, Roger DeCrow, John S. Diekhoff, C. Scott Fletcher, Freda H. Goldman, Morton Gordon, Kenneth Haygood, Cyril Orvin Houle, A. A. Liveright, Harry L. Miller, John B. Schwertman, Peter E. Siegle, Marilyn M. Vaughan, and James B. Whipple.

Cunningham, Ben, 1904-1975

Spanning 1904 to 1969, the Ben Cunningham Papers comprises biographical material, correspondence, artwork, writings, and memorabilia of the American painter and art educator (1904-1975). The collection, which is heavily annotated by Cunningham, illuminates a professional career which encompassed WPA Federal Art Project mural work as well as the op art movement of the mid to late 1960s. Some of the items in the collection have been restricted to prevent their further deterioration. Photocopies of these embrittled items have been made available for researcher use.

Lawrence, Jacob, 1917-2000.

Spanning 1937-1971, the Jacob Lawrence Papers consist of biographical material, correspondence, artwork reproductions, writings, printed material, and memorabilia of the African-American painter, printmaker, and artist.

Taylor, Kendall, 1941-

Kendall Taylor was an American art historian and biographer of American Social Realist painter Philip Evergood. The collection contains original research material relating to Philip Evergood and the papers of Kendall Taylor, his biographer.

Wight, Clifford.

Papers of the Mexican muralist. An epigrapher and sculptor, Wight acted as secretary, translator, and technical assistant to Diego Rivera during the latter's sojourn in the United States. Collection includes a variety of materials relating to Rivera's mural work in Detroit, San Francisco, and New York, including technical documents, correspondence, miscellaneous holograph and typescript manuscripts, photographs, and printed material.

Hamburg, Shirley

Research files pertaining to various social justice movements Hamburg was involved in and passionate about

Kamin, Martin.

Papers of the Polish-American publisher and bookseller, primarily in the areas of dance and drama. Collection includes autographs, correspondence, photographs, printed material, and miscellaneous papers.